Canada in a Box, Cigar Containers that Store Our Past 1883-1935 Canada in a Box, Cigar Containers that Store Our Past 1883-1935 Back Next
Canada in a Box, Cigar Containers that Store Our Past 1883-1935
 CANADA IN A BOX 
 Quick View    Canadian, Eh?    "The Mother Country"    Our American Cousins 
 Romanticized, Belittled, Demonized    Punchlines?    From Sea to Sea    Win, Lose, or Draw 
 Lives of  Men and Boys    Women Plain and Fanciful    Index 

 Romanticized, Belittled, Demonized

The Golden Age of the Cigar was also an age of old European and new American colonialism in Africa, Asia and Latin America. "Foreigners" were in the news, often in the role of enemy or conquered peoples; they figured in popular literature, song, art—and cigar boxes. They were sometimes idealized, sometimes stereotyped, and sometimes depicted in ways that today would be considered racist, demeaning, or otherwise offensive. North American racial groups were treated no differently.

BEN BEY BEN BEY
Trimmed nailed wood box (25)
Factory 21 IRD 17 Series of 1915
Ed. Youngheart & Co. Limited, Montreal, Que.
CMC D-13664

KHEDIVE KHEDIVE
Trimmed nailed wood box (50)
Factory 6 IRD 31 Series of 1883
John Hohmeier, Woodstock, Ont.
CMC 2001.185.4 Tony Hyman Collection

PICKANINNIES
PICKANINNIES
Trimmed nailed wood box (50)
Factory 1 IRD 6 Series of 1897
Abraham Isaacs, St. John, N.B.
CMC 2003.46.78

"Pickaninnies", meaning young Black children, was an American concept and term that had little or no Canadian usage. The Isaacs cigar factory in St. John seems to have made a regular practice of deploying American cigar names and labels for their own products—possibly because of the difficulty of obtaining original artwork locally or from central Canada. The labels on the majority of their brands in the Canadian Museum of Civilization collection—e.g., On Hand, Fairy Queen, Union Star—were executed by New York lithographers; one Canadian-produced label shows Buster Brown, an American popular cartoon figure.

DUTCH MIKE DUTCH MIKE
Trimmed nailed wood box (10)
Factory 2 IRD 10 Series of 1897
W.R. Webster & Co., Sherbrooke, Que.
CMC 2003.46.74

HOGEN-MOGEN HOGEN-MOGEN
Trimmed nailed wood box (50)
Factory 5 IRD 10 Series of 1897
Sherbrooke Cigar Co., Sherbrooke, Que.
CMC 2003.46.112

MARGUERITE MARGUERITE
Trimmed nailed wood box (50)
Factory 5 IRD 10 Series of 1915
Tuckett's, Hamilton, Ont.
CMC 2001.185.63

MOFFATT'S SPECIAL MOFFATT'S SPECIAL
Trimmed nailed wood box (50)
Factory 20 IRD 32 Series of 1897
Likely by J. F. Nolan, Brantford, Ont.
CMC 2003.46.54

THE MEXICAN THE MEXICAN
Trimmed nailed wood box (50)
Factory 1 IRD 6 Series of 1883
Abraham Isaacs, St. John, N.B.
CMC 2001.185.9

THE JAP THE JAP
Trimmed nailed wood box (50)
Factory 7 Port 24-E Series of 1922
John McNee & Sons, London and Toronto, Ont.
CMC 2001.185.42 Tony Hyman Collection

PATHFINDER
PATHFINDER
Trimmed nailed wood box (50)
Factory 7 IRD 30 Series of 1915
Harper, Presnail Cigar Co., Ltd., Hamilton, Ont.
CMC 2001.185.30 Tony Hyman Collection

Tobacco was introduced to the first Europeans in Canada by Aboriginal peoples, and was a currency of the fur trade: often a gift of tobacco opened negotiations between agents and trappers. Native people have been symbolically linked to tobacco in the commercial marketplace ever since.

MIC-MAC
MIC-MAC
Trimmed nailed wood box (50)
Factory 4 IRD 27 Series of 1897
Harold E. Cooke & Co., Owen Sound, Ont.
CMC 2003.46.111

As is evident in the depiction of other peoples on cigar box labels, manufacturers took little care to ensure that images of Native people were accurate or, for that matter, appropriate. This beautiful label was likely an off-the-rack product, bought from a salesman's catalogue, that provided space for the local brand title to be printed. The Ontario maker for some reason decided on "Mic-Mac," but either had little knowledge of the Eastern Woodlands tribe and what its traditional dwellings, environment, or clothing looked like, or didn't care. What the label depicts is decidedly un-Mic-Mac—except perhaps for the feather bonnet, which (by coincidence?) is reminiscent of the real thing.


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